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“Canvas & Conscience: Art in a Changing World" 

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Ruins of Crop Fields After a Storm: When the Earth Gets Too Much of a Good Thing

Ruins of Crop Fields After a Storm: When the Earth Gets Too Much of a Good Thing

I wasn’t trying to paint something sad. I was trying to paint what happens when the balance tips. The land wants water, but not like this. This is my view of water-logged crops and destroyed rows.  This work shows the storm's impact on soil, harvest, and spirit.

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How Nature Painting Connects Us to Our Inner Landscape

How Nature Painting Connects Us to Our Inner Landscape

What I've learned from years of hiking and painting is that the outside in the foothills is that it awakens the wilderness within us. That untamed part of our creativity, our authentic emotions, our connection to something bigger than ourselves needs regular contact with nature.

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“Over the Barren Ground.”  A Painting About the Weight Nature Carries
landscape art, landscape paintings, landscapes John Robertson landscape art, landscape paintings, landscapes John Robertson

“Over the Barren Ground.” A Painting About the Weight Nature Carries

“Over the Barren Ground” is more than a figure—it's a metaphor for exhausted farmland. A visual reminder that nature is wearing down, quietly, beneath us.  Living near the fields, I’ve seen the balance shift—fewer birds, vanishing bees, dry soil. This painting is that story in paint.

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Why Climate Change Art Matters: When “Half-Measures” Aren't Enough

Why Climate Change Art Matters: When “Half-Measures” Aren't Enough

"Traditional plein air painting celebrates nature's beauty, but what happens when that beauty is under threat? Over years of regular observation, you develop instinctive awareness of environmental rhythms. This intimate knowledge becomes the foundation for authentic environmental art that captures both beauty and loss. With that thought you change how you paint, to reflect the emotional experience.

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 Painting a Place We’re Losing to Climate Change

Painting a Place We’re Losing to Climate Change

In this blog post, we explore the meaning behind “Unfolding Fields,” a piece that speaks to my connection to nature, memory, and quiet reflection.This post reflects on how abstract art can embody memory, presence, and place. Each year, the land changes. This painting became a quiet call to protect what’s left.

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Crop Rows Painting About Land, Pressure, and the Past

Crop Rows Painting About Land, Pressure, and the Past

Faultline Memory “ is an oil painting that reflects rural landscapes and the emotional layers found in farming life. It is a painting about land, pressure, and the stories held beneath the surface in farming communities. The thick texture and natural palette connect to rural memory and emotional resilience.

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When Landscape Painting Becomes a Meditation on Journey

When Landscape Painting Becomes a Meditation on Journey

For me, this painting isn't just about capturing a beautiful scene but about exploring our relationship with challenging transitions. Nature provides the perfect metaphor—constantly changing, enduring, and ultimately finding pathways forward, even through the most difficult terrain.

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 Resilient Fields: My Paint vs. Real Life

Resilient Fields: My Paint vs. Real Life

Creating art is a profession of hope. Every time I set up my easel at the edge of these fields, I'm betting on something beautiful emerging. This landscape isn't static.  The fields are in constant change with the elements. The patterns show cultivation while the dramatic sky suggests nature's unpredictable response

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“Pathways Unseen”: When Landscape Art Becomes Environmental Advocacy

“Pathways Unseen”: When Landscape Art Becomes Environmental Advocacy

As budget cuts to environmental programs deepen and protection of public lands weakens, many precious ecosystems hover on the edge of irreversible change. "Pathways Unseen," a textured impasto landscape, serves as both artistic documentation and quiet protest against environmental uncertainty. The hidden trails referenced in the title "Pathways Unseen" take on double meaning—they represent both the subtle contours of the landscape itself and the increasingly limited opportunities for people to experience these spaces firsthand. Each impasto brushstroke preserves what budget constraints threaten to erase.

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"Invisible in the Haystacks" Impasto Landscape Painting

"Invisible in the Haystacks" Impasto Landscape Painting

Each layer of paint in 'Invisible in the Haystacks' tells a story of a moment spent under the open sky. The textured strokes convey the raw energy of the outdoors, inviting the viewer to feel the wind and warmth of the sun.  Using a palette knife, I shaped the land and sky, transforming color into tangible texture. The sunlight highlights every ridge, making the scene almost touchable.

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Landscape Painting Process: Chaos, Lines, and Instinct

Landscape Painting Process: Chaos, Lines, and Instinct

My landscape art process is driven by rhythm, instinct, and letting the canvas guide me, without following any rules. I paint anywhere—beaches, foothills, fields—because the location doesn't matter. It's all about the lines, colors, and the rhythm of the process. Painting is trial and error; I put paint down, move it around, and stop when I'm too tired to keep going, then grab another canvas.

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The Human Side of Painting Farmland in Impressionistic Style

The Human Side of Painting Farmland in Impressionistic Style

What really touches me most is the human side of farmland. Winter and fall expose the bone structure of the land, and that’s what I love to capture in my art—the feeling of raw honesty that comes through those bare fields. When I paint a landscape, it’s not about copying the scene exactly. I want to capture the emotion, the meaning behind it.

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The Farmer and the Artist: Creating Something from Nothing
landscape art, landscape paintings, landscapes John Robertson landscape art, landscape paintings, landscapes John Robertson

The Farmer and the Artist: Creating Something from Nothing

Living in a big farming community in Ventura means I’m surrounded by agricultural fields, where farmers and artists share a special bond, both creating something from nothing. Standing in those fields and staring at the endless rows of crops, I can’t help but feel that connection. While farmers plant seeds and watch them grow, I’m over here trying to mix the right colors to bring a scene to life.

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Blending Nature and Art

Blending Nature and Art

Living where the city meets the countryside, I’ve found endless inspiration in the farm fields around me. These fields aren’t just patches of land; they’re living, breathing canvases that change with the seasons. What I love most about these landscapes is their emotional depth. Each field tells a story of hope, despair, plenty, and want. It’s a constant cycle of change, much like life itself. Expressionism is at the core of my work. I strive to capture the essence of these landscapes with passion and intensity. Each painting is a celebration of the beauty around us, a testament to the power of nature-inspired art.


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